The impeccable attention to detail in "Severance" shows a world, which is not forgotten soon, with the help of subliminal references to our subconscious. It is followed as Lumon believes separating the workforce will create fewer chances of revolt.
The mysterious pieces evoke horror in the same fashion as the black paintings of Francisco Goya. This rumour is kept alive through two versions of the same painting. The employees, divided into two departments - Macro Data Refinement (MDR) and Optics and Design (O & D), share a common belief that the other department employees are dangerous. Inside the making of Severance’s award-winning opening title sequence with Oliver Latta.
The visual centralisation of Kier, Lumon's founder, instils faith in a greater focus among the employees. The paintings and references to them are present in the peripheries of our cultural collective. Client: Red Hour Productions, Endeavor Content. of justifying the rec- ognition of severance damages pursu- ant to 23 CFR.
#Severance title sequence series#
The art history of Lumon pays tribute to Caspar David Friedrich and Caravaggio. Berlin artist and motion designer Oliver Latta (aka Extraweg) ramps up his fascination with literal soft bodies in this aptly surreal title sequence for Ben Stiller’s twisty Apple TV+ thriller series Severance. CAF - 000B ( ), continuing the numbering sequence which began with the sign.
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